Femmes d’Argentine (2019-2021)

Femmes d’Argentine (2019-21) This body of work deals with the violence of Argentina’s dictatorship through images taken in the archives and memory centres in Córdoba and Buenos Aires, coupled with texts by Guylaine Massoutre. It takes the form of a web essay, and a series of photographs is integrated into Massoutre’s book. See the web […]

Les mots coloniaux (2006)

This photographic corpus focuses on colonial traces and the marks of globalization in the West African cities of Dakar and Ouagadougou. The series show sets of billboards and iconographic messages whose Western style contrasts with Southern environments. Inkjet prints– 3 triptych, 48 x 188 cm.– 2 diptych, 48 x 130 cm– 3 images, 48 x […]

Rituals of identity, tactics of resistance (2002-04)

These different series, produced for specific creative or exhibition contexts, present portraits, put together from multiple fragments, which juxtapose symbolic and mythological elements of traditional cultures against references to today’s world. To construct my images I used collage and photomontage; I used and reinterpreted symbols, codes, and clichés from traditional cultures, popular imagery, and art […]

Liquidation, a plurimedia photonovel (1998 – 2001)

A scientific formula was stolen from Ricard Entreprises to liquidate the global debt! Thus begins the story of the photonovel LIQUIDATION, a multimedia work co-created with the author Michel Lefebvre. Our theme, which gives the title to the photonovel, takes a half-critical, half-amused look at our lives and our cities where we never stop liquidating […]

Carnages (1999)

“Carnage, the work conceived by Mitsiko Miller and Eva Quintas, has several levels of texts, including Alice, the one that could be linked more directly to the photo-novel. Straight out of pantomime, Alice and her acolytes take part in a narrative strongly inspired by children’s stories, to which reference is made explicitly, already in the […]

Portraits / Gossip of Montreal artists (1990)

I sometimes meet him in the corridors of museums or universities, most often in the hubbub of a vernissage or a tavern. Whether he is (or think he is) rich and famous or tortured by wine and bohemia matters little: he is the man-artist, a mysterious, marginal, or eccentric being, a mythical representation of creative […]