Ligne de partage (2026)
Installation / Photo, video, text, objects Exhibition: Galerie Bernard-Jean, Caraquet (New-Brunswick, Canada), Summer 202618 photographs printed on polypropylene, poetic text printed on cotton, various formats (63,5 x 35,5 cm / 63,5 x 152,5 cm / 105,4 x 28 cm) ; 4 Acadian ripped flags; video (8:07 min). This work is the result of a research-creation […]
Déroutes_Desencamins (2026)
Vidéo-Web Web-based video project, in French and Catalan, exploring the Republican exile of the Spanish Civil War (1936-1939). Through 21 video segments lasting approximately 3 minutes each, the project gives voice and presence tot the stories, routes, and sites of memory across Northern and Southern Catalonia. The work grew out of a two-month residency during […]
Le Havre de Montréal (2026)
Installation photo, video, texts 34 photographs printed on self-adhesive polypropylene, various formats, video, texts and poems notebook. PHI Montreal (June, 4 – August 2, 2026). Documentation of the exhibition: Eva Quintas + Document public. Work resulted from a 6-month residency (January-June) supported by PHI and the Conseil des arts et des lettres du Québec. The […]
Ecotopia (2024)
Ecotopia (2023) Research-creation residencies El Bolit, Contemporary Art Centre (Girona, Catalonia, 2023) Universidad de Lánus (Buenos Aires, 2018) This ongoing project is an exploration of disused peripheries as a generator of alternative and utopian positions on the city in transformation. This research is part of my documentation work around territories as spaces for visual, artistic […]
Femmes d’Argentine (2019-2021)
Femmes d’Argentine (2019-21) This body of work deals with the violence of Argentina’s dictatorship through images taken in the archives and memory centres in Córdoba and Buenos Aires, coupled with texts by Guylaine Massoutre. It takes the form of a web essay, and a series of photographs is integrated into Massoutre’s book. See the web […]
Les mots coloniaux (2006)
This photographic corpus focuses on colonial traces and the marks of globalization in the West African cities of Dakar and Ouagadougou. The series show sets of billboards and iconographic messages whose Western style contrasts with Southern environments. Inkjet prints– 3 triptych, 48 x 188 cm.– 2 diptych, 48 x 130 cm– 3 images, 48 x […]
Rituals of identity, tactics of resistance (2002-04)
These different series, produced for specific creative or exhibition contexts, present portraits, put together from multiple fragments, which juxtapose symbolic and mythological elements of traditional cultures against references to today’s world. To construct my images I used collage and photomontage; I used and reinterpreted symbols, codes, and clichés from traditional cultures, popular imagery, and art […]
Liquidation, a plurimedia photonovel (1998 – 2001)
A scientific formula was stolen from Ricard Entreprises to liquidate the global debt! Thus begins the story of the photonovel LIQUIDATION, a multimedia work co-created with the author Michel Lefebvre. Our theme, which gives the title to the photonovel, takes a half-critical, half-amused look at our lives and our cities where we never stop liquidating […]
Carnages (1999)
“Carnage, the work conceived by Mitsiko Miller and Eva Quintas, has several levels of texts, including Alice, the one that could be linked more directly to the photo-novel. Straight out of pantomime, Alice and her acolytes take part in a narrative strongly inspired by children’s stories, to which reference is made explicitly, already in the […]
Portraits / Gossip of Montreal artists (1990)
I sometimes meet him in the corridors of museums or universities, most often in the hubbub of a vernissage or a tavern. Whether he is (or think he is) rich and famous or tortured by wine and bohemia matters little: he is the man-artist, a mysterious, marginal, or eccentric being, a mythical representation of creative […]